Waltercio caldas biography of nancy

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  • Caldas highlights the strange phenomena of seeing oneself, and choosing.
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    SOUTH SOUTH is an online community, an anthology, an archive and a resource for artists, galleries, curators and collectors, institutions and not-for-profits invested in the Global South.

    The platform offers a repository and a space for new, shared value systems centred on community, collaboration and exchange. It is a central portal to experience the programmes and artist profiles of galleries within and dedicated to the Global South.

    It will host year-round events and seeks, during these tumultuous times, to address an imbalance in the global cultural framework bygd providing a means to explore a de-centred art world, within a broader geopolitical context.

    In the featured section, the platform maintains an ongoing interview-based editorial component, including conversations, essays and other texts on current events and significant shows in and about the Global South.

    In the archive section, SOUTH SOUTH facilitates a community-built archive highlighting sel

    THE ACCIDENTAL CURATOR

    ROBERT STORR SEEMS AT FIRST an unlikely curator for New York’s Museum of Modern Art: his art history fryst vatten self-taught, he is first and foremost a painter, and his early biography reads less like a museum professional’s than an itinerant artist’s of a somewhat earlier moment. On the other hand, his sympathies are with modernist issues, however defined; he believes that Modernism is not over, just incomplete. And his approach to curating recalls the succession of auteurs associated with MoMA’s history. Now 44, Storr studied as a painter at the School of the Art Institute of Chicago. He looked closely at classical-modernist art and followed realists like Philip Pearlstein. In the late ’70s his own work took the struktur of richly painted &#;observational&#; canvases—a direction rather like Wayne Thiebaud’s, whose work, however, he didn’t then know. During the same period, as a contributor to the New Art Examiner, S

    This week in Life & Arts

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    Chicago: Chicago just became the longest running American musical in Broadway history. We have the scoop on when to catch it in Austin.

    TUESDAY

    Arts: Jeanne Claire van Ryzin walks us through the major new exhibit by artist Waltercio Caldas at the Blanton Museum of Art.

    Digital Savant: Omar L. Gallaga takes a look at the appeal of delayed video gaming gratification.

    WEDNESDAY

    Relish Austin: Addie Broyles explores the trend of “Friendsgivings,” gatherings before or after Thanksgiving that help us connect with friends and neighbors.

    THURSDAY

    Profile: Meet Austinite Joel Barish, who is deaf and hosts a popular online travel show for the deaf and hard of hearing called “No Barriers.”

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