Degas brief biography of thomas

  • Degas was born in 1834, the scion of a wealthy banking family, and was educated in the classics, including Latin, Greek, and ancient history.
  • Born in 1834 of a wealthy Paris family, Degas studied at the Ecole des Beaux-Arts and was a pupil of Ingres.
  • Edgar Degas was a French artist who lived from 1834 to 1917.
  • Edgar Degas Biography for Kids

    Bon jour! This is the Edgar Degas biography for kids. I am Edgar Degas from France in the 1900s.

    Yes, France in the 1900s, the time of the Impressionist Movement. The movement so named when a critic called our works “impressionism” because he thought our art works seemed more like sketches than finished paintings. The movement of “in plain air” or natural light. I suppose I am part of this movement but inom differ from my colleagues in that I like classical themes and realism. Please call me a Realist!

    I mostly taught myself to paint, and I studied in Italy for a while as a young man. inom studied the Old Masters like Rembrandt, for copying is the best way to learn! At first, I wanted to be a history painter, and inom painted scenes such as Alexander and Bucephalus – you know, of Alexander the Great and his magnificent horse whom he named Bucephalus.

    I exhibited at the Salon – you know, the French art show – for the first

  • degas brief biography of thomas
  • Most commonly associated with the birth of the Impressionist movement in mid-19th-century Paris, Edgar Degas (1834–1917) in fact defied easy categorization and instead developed a unique style, strongly influenced by Old Masters, the body in motion, and everyday urban life.

    The elder scion of a wealthy family, Degas cofounded a series of exhibitions of “Impressionist” art, but soon disassociated himself from the group in pursuit of a more realist approach. His subjects centered on the teeming, noisy streets of Paris, as well as its leisure entertainments, such as horse racing, cabarets, and, most particularly, ballet. With often ambitious, off-kilter vantage points, his images of ballerinas numbered approximately 1,500 works, all deeply invested in the physicality and the discipline of dance.

    Through illustrations of Foyer de la Danse (1872), Musicians in the Orchestra (1872), and many more, this book provides an essential overview of the artist who created a category all his own,

    Edgar Degas seems never to have reconciled himself to the label of “Impressionist,” preferring to call himself a “Realist” or “Independent.” Nevertheless, he was one of the group’s founders, an organizer of its exhibitions, and one of its most important core members. Like the Impressionists, he sought to capture fleeting moments in the flow of modern life, yet he showed little interest in painting plein-air landscapes, favoring scenes in theaters and cafés illuminated by artificial light, which he used to clarify the contours of his figures, adhering to his academic training.

    Degas was born in 1834, the scion of a wealthy banking family, and was educated in the classics, including Latin, Greek, and ancient history, at the Lycée Louis-le-Grand in Paris. His father recognized his son’s artistic gifts early and encouraged his efforts at drawing by taking him frequently to Paris museums. Degas began by copying Italian Renaissance paintings at the Louvre and trained in the studio of Lou