Mortimer menpes biography of albert
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Etching depicting an elderly Egyptian man with a vit beard, seated in profile
Object details
Categories | |
Object type | |
Title | An Egyptian (assigned by artist) |
Materials and techniques | Etching |
Brief description | Mortimer Menpes, 'An Egyptian', etching |
Physical description | Etching depicting an elderly Egyptian man with a white beard, seated in profile |
Dimensions |
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Marks and inscriptions | Signed in pencil: Mortimer Menpes imp • Tag Archives: Mortimer MenpesIt looks like summer has arrived so it’s time to get down to the river again. This week’s post is a long delayed companion to Menpes on the river, revisiting his paintings of that long Victorian summer of boating on the Thames but this time in photographs. Some of these images show the same locations that Menpes painted, others show yet more outposts of the quiet life along the river. The tidal Thames ends here, at Teddington:
I’ve walked as far as Kingston along the Thames Path. I remember this spot and although there were fewer boats when I saw it I can still recognize the place I visited. Teddington Lock, some of you may remember was the location of Thames Television’s studios in the 1970s. Molesey Lock, further along shows the classic Sunday view of a crowded river in the days of Jerome K Jerome. (No account of a journey on the Thames can avoid mentioning Three men in a boat so I’l • Mr Menpes I presumeMortimer Luddington Menpes is having a bit of a renaissance in his home country. This year there were two exhibitions devoted to his work one in Adelaide, the city of his birth and one in Melbourne. We contributed some images to one of them, and they sent us a copy of the book of the exhibition, which is where most of this week’s pictures come from. My colleague Tim and I also got an invitation to the private view. But it was a bit far to go, which was a shame. It would have been good to see the place Menpes came from. He was born in Port Adelaide in 1855 and came to England when he was 20. Although he lived the greatest part of his life in the UK there was always something of the outsider about Mr Menpes and he never lost an Australian artist’s feeling for light and colour. “Dolce far niente” is a portrait of Whistler’s mistress Maud Franklin wearing an oriental robe. Menpes was generally under Whistler’s influence i |