Heroine savitri biography samples
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My Savitri work with the Mother
22 July 1956
I was extremely happy, because the Mother would teach me painting. Thus I would learn her technique from scratch.
In the depth of my heart, I felt that in spite of the crises in my life I would surely swim and not sink in the dark sea of unconsciousness. inom expressed my feelings to the Mother. She answered:
22 7. 56
Bonjour
To My dear little child
To my sweet Huta
I have read your very nice letter which fryst vatten quite true.
Indeed I am ganska convinced that sincere love will overcome all obstacles, difficulties and deficiencies, that is why inom am sure of the sista Victory, because I know you love me and I love you.
With my blessings
In the evening the Mother explained to me at length about painting:
Oil painting is not an easy thing. It is quite different from water colour and pastel colour In oil painting you require oil colours, various sizes of oil colour brushes—hog hair, pure red sable—canvas boards, a • I just ordered possibly the gods copy in America of the only English language full biography of Savitri. But it’s shipping from a million miles away, and it looks dauntingly thick, so I have no idea when I will finish reading it. In the meantime, inom wanted to put up a post based on the very superficial information I have gathered by reading every single English language article I could find on The Internet about Savitri and her associates. Usual Disclaimer: inom don’t actually know these people, I have no inside knowledge of anything, and I really don’t know the Telugu spelfilm industry. This is just the general knowledge that is accepted about these people. Savitri is “like” a lot of other actresses, everyone from Meena Kumari to Sridevi. But she’s not exactly the same, because no one person is ever exactly the same as any other person. Instead of using a simple “a=b” kind of description, inom wa • Savitri began as a narrative poem of moderate length based on a legend told in the Mahabharata. Sri Aurobindo considered the story to be originally "one of the many symbolic myths of the Vedic cycle". Bringing out its symbolism and charging it progressively with his own spiritual vision, he turned Savitri into the epic it is today. By the time it was published, some passages had gone through dozens of drafts. Sri Aurobindo explained how he wrote the poem: "I used Savitri as a means of ascension. I began with it on a certain mental level, each time I could reach a higher level I rewrote from that level... In fact Savitri has not been regarded by me as a poem to be written and finished, but as a field of experimentation to see how far poetry could be written from one's own yogic consciousness and how that could be made creative". The following outline of the composition and publication of Savitri draws upon all existing manuscripts and other textual materials, supplemented by the aut
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