Audrey flack brief biography of abraham
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Audrey Flack
Audrey Flack is one of our most important painters, but these works are not her most important paintings. Not that they’re uninteresting, but they’re more interesting because they’re Flack’s early “expressionist” work than because of anything inherent in them. This exhibition’s timing seemed to pose them as America’s answer to the European “neoexpressionists”—the Germans (who are really as conceptual as they are expressionist, using living paint to resurrect dead signs, in the spirit in which one tries to return to origins after one’s innermost ideas and beliefs have been defeated by history) and the Italian “neomythical” painters. But Flack understands nothing about expressionist or mythological painting, though she knows how to quote both in a lively art-historical manner, as though trying to make an old picture interesting for a freshman class.
Let’s take the appropriately Ge
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Books
Non-fiction
Five celebrated American-born, secular Jewish artists—Jack Levine, George Segal, Audrey Flack, Larry Rivers and R.B. Kitaj—found inspiration in the Bible, creating modern midrash. In the five chapters of Jewish Artists and the Bible in Twentieth-Century America, art history professor Samantha Baskind offers a sophisticated, richly illustrated look at each artist’s work and influences. All but Kitaj were Jewishly educated children of immigrants; Kitaj, however, spent his later years studying and interpreting Jewish history and culture. He sought to understand, especially through collage, biblical personalities and current events from Moses to the Holocaust.
Social realist Levine used his father’s and his own images in Planning Solomon’s Temple, oil on masonite, an homage to his father, Shlomo. George Segal’s many plaster sculptures explored the story of Lot and his daughters. His cast bronze statue memorialized murdered Kent State University students
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Jewish Artists and the Bible in Twentieth-Century America | Jewish Book Council
Calling these “case studies,” Baskind has selected five artists as paradigms for her consideration of the Bible in their paintings, print making, and sculpture: Jack Levine, George Segal, Audrey plan, Larry Rivers, and R.B. Kitaj. While discussing their works in depth she references many other Jewish artists, perhaps less well-known, whose works also reflect Biblical connections. Each of the chapters dealing with the individual artists includes biographical details about their Jewish backgrounds, their styles, major artistic influences on their subject matter, and the author’s conclusions as to why they chose the biblical images in their work.
Most interesting is Baskind’s identification— and illustration — of classic works of art which influence the artists she is focusing on, from Rembrandt to Rubens to Durer to Bosch to Caravaggio a